Apart from attending evening drawing classes and sketch clubs, he was largely self-taught. Abstract: `Prizes, Rivers and More Prizes' by Sandra McGrath, pg. It was written with unprecedented behind-the-scenes access, and illustrated with classic Brett Whiteley artworks, rare notebook sketches and candid family photographs. During this time, Whiteley also painted works based on the animals at the London Zoo, such as Two Indonesian giraffes, which he found sometimes difficult. On weekends Whiteley painted around the New South Wales country towns of Bathurst, Hill End and Sofala, producing works such as Sofala 1958. Deborah Bogle, The Australian, 'Art Movement', pg. This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. WHITELEY, Brett (1939-1992) 'Self Portrait at 36, Comedown,' c1975. Brett Whiteley. Look at this beautiful house and wonderful pictures and things. Melissa Phegan., Daily telegraph mirror, 'The passion and pain of Brett Whiteley', Sydney, 21 Jul 1992, (illus.). An audio version released by Audible in 2016 was narrated by Mark Seymour. An astonishing exhibition. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. He soon settled in Lavender Bay. [2], In explaining his use of collage, which often saw him adding photographs or objects to a canvas, Whiteley said he did it: when I feel the need to describe in the focus of the painting something that requires infinite realism, a realism so absolute that no amount of painstaking brush strokes can accurately describe it. [3]. A photograph of a youthful Brett Whiteley also accompanies this article. Purchased 1977 Wendy Whiteley, Need caption How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? Closed Good Friday & Christmas day His farewell to abstraction, Summer at Sigean, was a record of his honeymoon in France. AU $100.00. See opening hours Rhana Devenport and Vaughan Rees, Art-i-facts, Book One: An exploration of art and design for junior secondary students, 'Structure in art and design', pg. All Rights Reserved. See all 85 works. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, In front of 'Art, life and the other thing', 1978, Brett Whiteley, 'Self portrait after three bottles of wine', 1971, Art Gallery of New South Wales. [27] The documentary was made with the approval of Wendy Whiteley, and was received with critical acclaim. 218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.). This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977. 7: BRETT WHITELEY, DAISIES, 1975 - 76. . 190-210, Cambridge, 1988, cover (illus. Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. It was a daring, overt reference to a drug habit that many of Whiteleys admirers expected to cut short his career. morning, Available for everyone, funded by readers. card no. His work was not always being praised by critics, although its market value continued to climb. This article was edited by Sally White. . Telephone (02) 9225 1734 or 0414 437 588. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. Susan Hunt, The Archibald Prize 1921-1993, Sydney, 1993, 23 (colour illus.). PROVENANCE. Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. In 1976 he became the first artist to win the Archibald and Sulman prizes in the same year; having won only the Wynne in 1977, in 1978 he became the first artist to win the Archibald, Wynne and Sulman prizes in the same year. Untitled (Bird) Brett . The illustration in this publication is a detail of this image. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. 87-118, Sydney, 1991, 115 (colour illus.). from The New York Times: Clinton had borrowed from his proposals to make public colleges free. Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. They had borrowed the money, using their car as collateral. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). Construct a self-portrait by layering images of these personal symbols. But at his best, Whiteley was brilliant and a major achievement of the film is that it focuses on this aspect of his art. David Christian, 'At Lintas advertising agency, Sydney', c1956. 21, Port Melbourne, 2005, 21 (colour illus.). 19-22, Sydney, 20 Jun 1992, 19-21 (illus.). This appeared in the `Arts' section of `The Australian Supplement'. Signed and dated l.l. signed lower right: brett whiteley. Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.). Unlike 'Self portrait in the studio, critics were divided about 'Art, life and the other thing, perhaps because of its sensationalism and lack of subtlety compared to the earlier work. This photograph was taken by Andrew Rankin. Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). He also painted the darling harbour and the opera because he lived in sydney. 'Brett Whiteley Self Portrait and Other Intimacies', pg. In 1978, Whiteley entered another controversial self-portrait into the Archibald Prize 'Art, life and the other thing and it too made an immediate impact. ), 145 (colour illus.). Free delivery and returns on eBay Plus items for Plus members. Whiteley discussing his paintings at home in Sydney., Age, 'Portrait of the artist as a winner', Melbourne, 25 Jan 1977, 2. It has been regarded as a self-portrait, a giant outpouring of energy and ideas brought forth over a long period of time. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. How do they compare to Whiteleys artworks? Tributes to Brett Whiteley collectively written by Stuart Purves; director of Australian Galleries, Doug Hall; director of Queensland Art Gallery, Colin Lanceley; artist, Mary Eagle and Andrew Sayers; curators of Australian Art at the Australian National Gallery, and, Paul Delprat; Principal of The Julian Ashton Art School. In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. Robert Walker, Gift of the Robert Walker family 2008, Brett Whiteley, 'Art, life and the other thing', 1978, Art Gallery of New South Wales. 3), 'Collecting international art', pg. Choose one of Whiteleys self-portraits. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. David Freeman will direct and Tahu Matheson will conduct. 'Review' magazine. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. Almost too brutally honest, it seemed like the final flaring of a dying star. ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. Barry Pearce and Alec George, 9 Shades of Whiteley, '5: Portraits', pg. . Jennifer Phipps role at the time of publication was Curator of Australian Art. Expressive, lively and playful, Brett Whiteleys sketches and drawings not only provided the foundations for his paintings, sculptures and prints, they also demonstrate the joy of capturing a moment on paper, indulging in an idea or creative concept. In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. Barry Pearce and Alec George, 9 Shades of Whiteley, '4: Lavender Bay', pg. One suspects a touch of trichophilia a fetishising of hair with vague sexual overtones. Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. Donald Richardson, Art & Design in Australia, South Yarra, 1995, 15, 60, 80, 83, 137, 140, 145, 163, 243.. Peter Ross, Let's face it: the history of the Archibald Prize, Chapter 4: Into the 1970s, pg. This is an advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). 45. Greg Weight on working with Jiawei Shen, and starting out as a photographer. He remembers the artist as vital and engaging, definitely one of the most imaginative and energetic individuals I have known. Signed and dated upper c. verso, black fibre-tipped pen "/ brett whiteley/ 1975-76/ ". Open daily From the late 1970s, his self-portraits such as Art, life and the other thing 1978 began to trace his heroin addiction, which increasingly impacted his life and career. Directed by James Bogle and produced by Sue Clothier, Whiteley includes extensive archival footage and photos, personal notes and letters, as well as animations and dramatic reconstructions, although no new interviews were shot for the film. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. unknown author., Sun news-pictorial, 'Brett wins art double', Melbourne, 22 Jan 1977, (illus.). The Art Gallery of New South Wales has brought together 116 of Whiteleys works, from detailed landscapes to nude studies, that demonstrate the critical role of drawing something Whiteley called a completely un-rehearsable and unrepeatable visual truth in the artists creative practice, Brett Whiteley: Drawing Is Everything is showing at the Art Gallery of New South Wales until 31 March 2019, Thu 27 Dec 2018 21.53EST Resolved: Release in which this issue/RFE has been resolved. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside."
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